This incredibly rare pair of Danish Modern teak lounge chairs were designed by Svend Skipper in the 1950s and are reminiscent to the famous Hans Wegner ones, though at a much more affordable price point! Restored top to bottom, all the wood elements have been restored and freshly oiled, the seats restrapped with Pirelli rubber strapping, all new quality foam and a lovely felted Melton wool in a soft Heather Gray. Note the stunning channel tufting on the inside back rest with the subtle line of pinch tufts – this detail is sets these chairs apart from the Wegner ones which have only button tufting and add supremely to the comfort. The feeling of sitting in one of these chairs is almost like a child sitting in papa’s lap while getting a hug! Completed perfectly with matching ottomans with ovoid teak handles and conical legs. Such a rare and spectacular set and complete with both a pair and with two ottomans! So rare! The maker’s foil label is visible underneath. Dimensions for loungers: 31.5″W x 30.5″D x 18″H(seat)/38.5″H(top); dimensions of ottomans: 20.75″W x 11.75″D x 16.5″H. Price for one lounge chair and ottoman is $8,000 (only 1 available)
In the last MCM Furniture Design History post, we mentioned that Kaare Klint founded the furniture design department at the Royal Danish Academy of Fine Arts in 1924 and influenced the next generation of Danish furniture designers. The designer in this week’s MCM Pick of the Week, Kai Kristiansen, is one of those designers.
Kristiansen’s style, presumably informed by Klint, is known for clean lines, functionalism, and Kristiansen’s own outside-the-box thinking.
Their works, often made in warm blond wood, domesticated the cold chrome shine of the Bauhaus-influenced International style. In the process, they found a way to dovetail the words “Danish” and “modern” for the first time, joining cabinetmaker-guild traditions of high craftsmanship, quality and comfort with modernist principles of simplicity and graphic beauty.
Grete Jalk (1920-2006) was a Danish designer who made her mark on the design scene in the 1950s and 60s. She pursued an impressive list of academic qualifications, starting with the law and philosophy studies in which she chose to abandon halfway through.Instead, she commenced her design career in 1939 at the Drawing and Applied school for Women, followed by an apprenticeship as a cabinetmaker where she graduated in 1946.
Finn Juhl designed, built, and furnished his house, Kratvaenget 15 in 1941-42 with his first wife, Inge-Marie Skaarup. It’s located in Ordrup, just outside of Copenhagen. Juhl lived here until his death in 1989, after which Hanne Wilhelm Hansen, a music publisher who lived with Juhl after he and Skaarup divorced, looked after the house.
The well known furniture school of the Kongilige Danske Kunstakademi (Royal Danish Academy of Fine Arts) produced many famous alumni. One of them was Borge Mogensen, best known for his revolutionary Danish furniture design.
His mentor, Kaare Klint, guided Mogensen to study the proportions of the ideal type of traditional English chairs such as the Windsor chair and update the design into more modern contours.
Trained by cabinetmaker Niels Vodder at the school of interior design in the mid- 1940s.
Further graduated as architect in 1947 at Kunstakadamiet in Copenhagen, with Finn Juhl as professor and mentor.
After graduation Arne Vodder started as Architect at Hindsgaul in Copenhagen and worked, among other design assignments, with office decor.
Niels Otto Møller (b. Århus, 1920 – d. 1982) earned a reputation for creating design of a consistent excellence in quality and workmanship. Møller’s dedication to his craft stemmed from his cabinetmaking apprenticeship, completed in 1939, which was followed by further study at the Århus School of Design.In 1944, Møller founded his own furniture production company, JL Møllers Møbelfabrik, in a tiny workshop in the center of his hometown. While overseeing traditional furniture production in his factory,
Danish designer Peter Hvidt (1916-1986) was trained as an architect and as cabinetmaker at the School of Arts and Crafts in Copenhagen. He exhibited regularly at the Cabinetmaker’s Guild exhibitions, as a designer and as an exhibition architect, and also taught at the School of Arts and Crafts from 1942-45. In 1944 he designed the “Portex” chair, one of the first stacking chairs to come out of Denmark, and opened a furniture design office with Orla Mølgaard-Nielsen.
